Last ones for the year

I wasn’t a huge Choose Your Own Adventure reader back in the day (1980s?) but the two individuals in The Boy in the Book (by Nathan Penlington) certainly were. It’s an obsessive and stalker-y journey by a late 30’s man who probably should know better, and probably drove his partner and friends mad with his self indulgence. It’s an easy and fun read really, but you have to feel for Terence (the seller of the book trove which started all the madness) as he’s pursued and quizzed by the author. Lots of fun – 4 stars.

How can you not notice the striking covers of Rachel Cusk books and not be attracted? This was my first, and won’t be the last, even though I was worried the Sans Serif font would be a dealbreaker. Second Place is the story of a happily married woman who invites an uncompromising and indifferent older artist to live on their coastal property in the shabby cottage well down the path. Maybe she thinks his originality and creative energies will rub off on her and invigorate their lives a bit. He then shows up with a much younger girlfriend which somewhat ruins a possible erotic narrative. Annoyingly the artist barely talks or looks at her and she becomes increasingly frustrated. I loved it and will read more of hers. 4 stars.

Who knows how Homeland by Barbara Kingsolver worked its way into my pile, but boy it was a terrible mood match for what I wanted to read. It’s a collection of mostly southern U.S rural tales (1989) which gradually won me over with their humanity and tenderness. Some of them (Rose-Johnny for example) were truly shocking. There’s a maturity and competence in her writing that modern day writers just can’t match. 3.5 stars.

I spent the first half of Leave the World Behind by Rumaan Alam with a deep sense of unease due to the cover reviews: “resonant and terrifying” and “will keep you awake even after it ends”. I was sure a serial killer was going to sneak out of a cupboard and torture and butcher everyone, but thankfully it was a very different kind of affair. A young, wealthy family rents an isolated luxury cottage and over the course of a few days, a series of events (starting with the arrival of an elderly black couple, who claim the house is their home) bring increasing unease. The tension is kept beautifully throughout by vague and worrying descriptions of possible external calamities and the helpless reliance of modern day people with technology. What happens to our minds when it all doesn’t work anymore? Loved it – 5 stars.